Hi Jeff. I'm RB, Founder and CEO of Stage 32. As a screenwriter, producer, actor and filmmaker, I know first-hand the challenges all creatives face finding work, landing representation, launching projects, securing funding and simply making the connections that will make a difference in their careers. That's why I created Stage 32. Since our launch in September of 2011, the community has grown to 1,000,000+ members representing every country on the planet making Stage 32 the social network uniquely populated with the most creative people on Earth.
This is a network for you, built by you. Like most things in life, the more you participate, the greater the rewards. We ask all new members to pay it forward by inviting 5 fellow creatives to the network and by spreading the word of Stage 32 through other social media sites such as Facebook, LinkedIn, and Twitter. The more creatives, the stronger the network. The stronger the network, the more opportunities.
Thanks for joining the movement and for being a part of this most talented and inspiring community. I very much look forward to your contributions.
Thanks, and have a creative day!
RB
Helpful information:
- To send invites to your fellow creatives, please click here.
- For any questions on how to utilize the site, please check our HELP and GETTING STARTED sections.
- Also, I host a FREE webinar every month where I go over site features and answer user questions. You can view them here.
Please take a moment to follow and like our other social media accounts.
2 people like this
I'm a screenwriter and also a longtime freelance story analyst. If you want a professional evaluation of your screenplay, and can't afford the services of a qualified script analyst, many screenwritin...
Expand commentI'm a screenwriter and also a longtime freelance story analyst. If you want a professional evaluation of your screenplay, and can't afford the services of a qualified script analyst, many screenwriting contests offer at least some kind of minimal feedback from the script reader (most of whom are pros) included as part of the contest entry fee-- though in many cases you will be waiting a long time for the feedback. Look for reputable contests to enter that offer feedback at no additional charge and have "access"/introductions to film producers or managers as the prize. Some contests offer pro mentorship to the winners. If you live near a university and can enroll in a screenwriting class there, the teacher will presumably give you feedback on any pages you're permitted to read in class-- and your fellow students may provide feedback as well. If you can afford it, taking a screenwriting class taught by a qualified teacher has many benefits. In addition, a key skill for any writer is being able to assess the quality of your own work. One way to begin to learn how to do that is to read lots of great screenplays that got produced and were successful, profitable films and also seeing the movies made from those scripts. Watching great movies and studying them like a scientist to see what makes them tick is also important. Naturally, screenwriters should always have a "day job", and that's the first order of business. Having financial stability is essential to any career in the arts. As a story analyst and screenwriting contest judge I can tell you that scripts written by aspiring writers and pros are getting better and better. So it's important to really learn your craft, get good feedback, rewrite (but only if the advice you received and your own instincts are both correct), and always assume that you have to give a script your absolute best effort-- because others will. Learning how to come up with a structurally viable concept or logline for your film, and making absolutely sure that it works before starting to write your script, is a crucial first step in the process. The concept or logline must be structurally sound and compelling (and, preferably, have at least some commercial appeal, though this is not mandatory), because if it's not working the screenplay won't work either. It can save tons of time for a writer if they never embark on a script until the logline is perfect, and a good story analyst can tell almost as much from a one or two-sentence logline as they can from reading and evaluating the screenplay based on it. Keep writing, and best wishes in your quest.
2 people like this
I totally understand wanting to hear someone validate what you’re working on. Especially if you tend to be inherently good at things, it can be frustrating in something like screen writing where anyon...
Expand commentI totally understand wanting to hear someone validate what you’re working on. Especially if you tend to be inherently good at things, it can be frustrating in something like screen writing where anyone reading your work is looking for flaws. That being said, try not to put so much pressure on yourself. You’re 19 and you said you’re new to writing scripts. This isn’t like writing for any other media. Read as many scripts as you can and study them. I’d be happy to take a look at your work
3 people like this
Hi Andrea, screenwriting is fun. When I say is fun, I mean it gives you free room to create what you feel. But before you begin writing, I advice you to learn the rules, first thing. Sharing with you...
Expand commentHi Andrea, screenwriting is fun. When I say is fun, I mean it gives you free room to create what you feel. But before you begin writing, I advice you to learn the rules, first thing. Sharing with you how I began.
Here you have the rules and formats: https://www.storysense.com/format/transitions.htm.
When you have that at fingertips:
Go ahead and read produced scripts as much as you can, most especially award winning. You'll be surprised how good you will be!