Filmmaking / Directing

Filmmakers: we just launched FilmingThis.

A free production board where you can:

• Post your project

• Find actors, crew, and composers

• Show when and where you’re filming

• Let collaborators contact your production directly

Each listing includes:

• Production pages with project details

• Hiring indicators...

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In reading article (https://www.deloitte.com/us/en/insights/industry/technology/technology-m...)

I’ve been noticing something interesting happening across the industry lately, and I’m curious what other filmmakers here think.

It feels like filmmaking is entering a kind of hybrid era where traditional...

Expand post

In reading article (https://www.deloitte.com/us/en/insights/industry/technology/technology-m...)

I’ve been noticing something interesting happening across the industry lately, and I’m curious what other filmmakers here think.

It feels like filmmaking is entering a kind of hybrid era where traditional film production, creator platforms, and emerging tech are all colliding at once.

For example, studios are starting to seriously explore AI tools for production and post-production. Recently, Netflix even acquired an AI filmmaking startup designed to help production teams fix lighting issues, adjust framing, and improve post-production workflows without replacing the creative team.

At the same time, creators are building audiences in totally different ways. Podcasts, social platforms, and creator-led storytelling are becoming places where IP is born before it ever reaches Hollywood. And audiences are now watching stories across streaming, social media, and creator platforms, often treating all of it as “TV.”

Another interesting trend: even with all the new tech and AI tools coming in, audiences still seem to connect most strongly with authentic human stories and real experiences rather than purely technical spectacle.

So the question becomes:

Are we moving toward a filmmaking world where projects start smaller (podcasts, YouTube, indie shorts, proof-of-concept pieces) and then grow into films or series once an audience already exists?

In other words, instead of the old model of “studio develops → audience discovers,” are we entering a model of “audience forms → studios adapt”?

Curious how everyone here sees it.

Are these changes making filmmaking more accessible, or just more complicated?

Would love to hear everyone’s perspective.

João Pimentel

1 month ago

Olá Muda, seja bem-vindo

Muda Dan

Muito obrigado pela calorosa recepção. Eu realmente aprecio isso.

Atualmente estou desenvolvendo um projeto internacional forte e estou ansioso para me conectar com produtores e colaboradores talentosos aqui no Stage 32.

Pat Alexander

Hey Şeref Şaşmaz Stage 32 is a great place to help figure out how to write screenplays. We have lots of resources even free webinars that can help you learn the craft and put your first screenplay dow...

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Lindbergh Hollingsworth

2
2 people like this
- Michael David
- Anthony McBride
1 month ago

Writing is the hardest job in the business - no one will ever master storytelling so it's always a learning process. Creating something from nothing. Everything else that follows is based off the stor...

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Michael David

3
3 people like this
2 months ago

This is truly epic genius. Ready for the big screen!

Ibrahim AlBalushi

1
1 person likes this
- Vanessa Chattman 2
2 months ago

"Thank you so much for the incredible feedback! It truly means a lot to hear that this work feels ready for the big screen.

I am very excited to share the Visual Teaser with all of you here. However, I...

"Experience the dawn of an epic saga. When the Five Kingdoms united to face the absolute darkness, a legend was born, and a curse was sealed.

Witness the 'Soul-Striking' world of The King of Iron Fist....

E Langley

1
1 person likes this
- Vanessa Chattman 2
1 month ago

Book sales and a huge fan base.

Visual teaser captures all the brilliance and potential of this project! Great job!

Shadow Dragu-Mihai

1
1 person likes this
- Richard Buzzell
1 month ago

Sam Rivera Let's be honest. For INDEPENDENT filmmakers it's just more cartel control over theatrical. Theatrical is a zero sum game. Which means that the more screens that an MPA associated film takes...

Andrii Matskevych

Hi Amanda,

Thank you for connecting.

I work as a composer creating cinematic piano and orchestral music for film and visual storytelling. If you ever need original music or sound design for a project, I...

Amanda Toney

Great post Laquan Copeland - I think it's 2 different viewing styles. Short form, more digital experience vs. traditional theatrical storytelling.

I agree Laquan Copeland . Well observed and well said.

Faz sentido

All these new areas - podcasts, streaming - along with traditional - theaters, TV - are allowing more people to exploit. That's the way it's always been. People adapted to TV. Video cameras got more p...

Patrik Gyltefors

A lower threshold of entrance, also means that it is becoming really had to get noticed among all the "noise". This could have the opposite effect that only big budget productions are able to survive....

Best film I think will go to ONE BATTLE and all the SINNERS fans will have a social-media heavy hissy fit about it. I think SINNERS would have won if they didn't bring in the vampires. Like WTF, they...

2
2 people like this
- Vanessa Chattman 2
- Michael David
1 month ago

- Which film do you think will ultimately take Best Picture?

"One Battle ..."

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Coogler

- Are there any films in this list you think are underrated or fl...

2
2 people like this
- Vanessa Chattman 2
- Lindbergh Hollingsworth
1 month ago

Couldn't agree more @E Langley. Lackluster year. But haven't they all been lackluster for a long time? Very few classics are made anymore. RIP twentieth century (the century, not the studio)

Last year was better: Oscar Noms — Oppenheimer, American Fiction, Anatomy of a Fall, Barbie, The Holdovers, Killers of the Flower Moon, Maestro, Past Lives, Poor Things, The Zone of Interest.

Saw all,...

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