As a co founder of a non profit production company, we are now starting to look for donations that might complete our finance gap. Anyone of you ever went down that road? Did you learn any valuable lessons you would like to share with us?
The place for all producers to discuss, share content and offer tips and advice on raising funds, setting a budget, on set strategies and all other topics related to producing a film, television or theater project
As a co founder of a non profit production company, we are now starting to look for donations that might complete our finance gap. Anyone of you ever went down that road? Did you learn any valuable lessons you would like to share with us?
Work is evaporating, businesses are closing, longtime residents are leaving, and the city’s creative middle class is hanging on by a thread.
But also; Getting started is easier than ever. Filmmaking tools are cheap and online...
Expand post
Abhijay Prakash has built his career on bridging creative ambition with smart business strategy—an approach that now shapes Blumhouse, where he leads as President. The studio has become an empire built on bold ideas, small budgets, and massive cultural impact.
Starting as an intern at Universal Pictu...
Expand post
Great share, Pat Alexander! Abhijay Prakash talked about growing and pushing the boundaries. That's one of the key things for a producer, production company, director, etc. to stay successful. Thanks...
Expand comment
Did you read my latest blog about packaging yet? What project are you looking to package and if so, who would you approach?
https://www.stage32.com/blog/insider-intel-what-makes-a-package-compelli......
Expand post
Using AI to make a film trailer for the unproduced script to generate interest in reading the entire thing. I see more and more writers realizing they can prompt up a relatively inexpensive trailers n...
Expand commentHello to everyone, I'm here to asking how can I made a good estimate budget? Which stuff do I considered first?
Hi, Paolo Ruello. Two of the things you could consider first is the location count and the character count. A higher location count and character count can increase the budget....
Expand comment
Paolo Ruello, Great topic to bring up! It’s something every producer and writer has to wrestle with at some point. One resource I’d really recommend is Stage 32’s webinar: What Elements of a Script Re...
Expand comment
Paolo Ruello The process is this: 1. finalize script fully. 2. Break down script entirely for production. 3. Schedule the production. 4. Derive your costs from the schedule. If you don't go through th...
Expand comment
Hello all, as the Director of Development of Breaking Through the Lense and with the team, we are thinking of setting up a series of podcasts, by filmmakers, for filmmakers. I would love your thoughts on this matter. First of all, do you follow such podcasts and do you think they are valuable? Secon...
Expand post
Hi, Elena Priovolou. I like that idea! I listen to filmmaking podcasts. I think they're definitely valuable! I don't think I've heard a podcast that showcases financing plans of particular projects an...
Expand comment
You're welcome, Elena Priovolou. Looking forward to your podcasts!
Hi Elena Priovolou - wonderful and challenging adventure ahead, but I feel one that would be welcomed, especially if it maintains a specific focus like financing or co-prods. At least staying on somet...
Expand comment
Elena, I love this idea. Also, I’d love to hear episodes that break down financing plans in a story-driven way. Not just the numbers, but the narrative behind them:What was the emotional pitch? How di...
Expand comment
Producers, the game is changing.
The Reaction Lab just dropped a powerful piece on the rise of international co-production agreements—and it’s more than a trend. It’s a strategic recalibration of how we finance, create, and distribute films across borders.
Read the link here:
Expand post
Hello Sandra. Although I love co productions and of course they are a great financing tool, I have found two challenges. First, costs rise as you need to accomodate all parties percentage. But, the mo...
Expand comment
Hi Elena Priovolou , thank you for naming this so clearly. I’ve felt both of those challenges deeply. Coming from a fashion CEO background into filmmaking, I learned early that co-productions are as m...
Expand comment
And what are they thinking about when they make their recommendations? For Shivani Patel, Senior Vice President of Strategy and Business Development at Universal Pictures, it’s where creative opportunity meets commercial strategy—and every decision has to be backed by the data.
Expand post
Please schedule this amazing event, Stage 32 is bringing something amazing
for us,
Join us on Wednesday,
October 8 at 11:00 am PT for a
free FilmRaderie webcast presented by
Stage 32, dedicated to Composer Filmmaker Relationships:
How to Make Your Indie Film Successful."
Music can be a game-changer...
Expand postFor those of you who moved from developing your own projects to working with international producers, what pathways worked for you? Curious how others bridged that gap.
The opportunities keep coming! We've just added a fresh batch of Open Writing Assignments (OWAs), featuring specific requests from producers and executives at major companies. This is your chance to get your work directly to the decision-makers who are actively building their slates.
NEW BATCH JUST A...
Expand post
Every year, thousands of films are successfully developed, produced, and released that did not go through the studio system, and your film could be one of them. If you have a project you’re passionate about, it’s never been a better time to produce independently, and we want to show you how to make...
Expand post
Hey all,
We’re so lucky—and excited—to have Aimee back! This is one of our most popular labs, so don’t miss your chance to join. You can learn more and sign up here: https://www.stage32.com/education/p...
Expand comment
If you would like to grab one of the last spots email edu@stage32.com
Click next to the topics below to subscribe to a topic. means you're already subscribed.
2 people like this
I completely agree with Laurie Ashbourne. Leading with story is everything. When we invite donors into our world, it’s not the numbers that move them; it’s the heartbeat of the mission. I saw this fir...
Expand commentI completely agree with Laurie Ashbourne. Leading with story is everything. When we invite donors into our world, it’s not the numbers that move them; it’s the heartbeat of the mission. I saw this firsthand during our donor campaign for the Prima Facie Play performance supporting the charity School of Consent in New York. What resonated most wasn’t the budget; it was the storytelling, the urgency, and the emotional truth behind the cause. That’s what opens hearts and wallets. I hope this helps you, Elena Priovolou.
2 people like this
Laurie Ashbourne thank you, I will check your book out, very interesting!
2 people like this
Sandra Isabel Correia thank you Sandra, excellent reminder :)
2 people like this
It's a difficult position. Kickstarter is still valid, along with tother funding technologies with built-in support communities. Selling a "Brought to you" sponsorship by (X) sponsor is another way, i...
Expand commentIt's a difficult position. Kickstarter is still valid, along with tother funding technologies with built-in support communities. Selling a "Brought to you" sponsorship by (X) sponsor is another way, if you can package it and find an aligned group. I am also in that gap position for finishing funds, even though the film has already won awards. #RacetoAVOD
1 person likes this
Randall Scott White wishing you all the best!!