The Stage 32 Videos: Cinematograpy

“Nation Address” is a politically charged and lyrically sharp music video by Lolo Vandal that delivers a raw, street-level critique of national issues through the lens of township life. This track reimagines the traditional “State of the Nation Address” as a grassroots declaration, where Lolo Vandal speaks directly to the people. The song critiques social inequality, political neglect, and the lived realities of marginalized communities. It’s a lyrical protest, grounded in personal experience and collective frustration.

“Skhand’iCash” by Lolo Vandal is a gritty, streetwise music video that blends township swagger with poetic intensity, capturing the hustle and hunger of urban youth culture. Skhand’iCash is a visually raw and lyrically bold track that showcases Lolo Vandal’s ability to fuse local slang, cultural pride, and rhythmic flow into a compelling street anthem. The title itself “Skhand’iCash” suggests a fast-paced, cash-driven lifestyle, and the video delivers that energy with unapologetic flair. The lyrics revolve around hustle culture, economic survival, street credibility, and self-made ambition. Lolo Vandal uses punchy metaphors and rhythmic repetition to drive home his message.

“Killing It” by Lolo Vandal is a high-energy promo video that celebrates artistic confidence, creative mastery, and the unapologetic pursuit of excellence. The “Killing It” promo video captures Lolo Vandal at his most confident and creatively charged unapologetically bold, emotionally expressive, and deeply connected to his artistry. More than just a preview, it’s a powerful statement of purpose, signalling his evolution and fearless drive to challenge artistic norms.

“Dubula” by Lolo Vandal is a bold, emotionally intense music video that confronts themes of trauma, survival, and inner conflict through raw lyricism and stark visuals. Dubula; which translates to “Shoot” in Xhosa is one of Lolo Vandal’s most provocative and introspective works. The official music video presents a stripped-down yet powerful visual narrative that mirrors the emotional weight of the song. It’s a visceral reflection on pain, violence (both internal and external), and the psychological toll of growing up in a harsh environment.

“Yiphinde” by Lolo Vandal is a bold and emotionally charged music video that blends poetic rap with cultural storytelling to explore themes of resilience, repetition, and spiritual awakening. Released in 2017 under African Elephant Productions, Yiphinde (which translates to “Do It Again” in Xhosa) is a visually minimalist yet thematically rich piece. The video opens with a festive season message, but quickly transitions into a deeper narrative that reflects Lolo Vandal’s signature introspective style. It’s part of his Bonus EP and showcases his ability to turn personal experience into universal reflection.

“Story Of My Life” by Lolo Vandal is a raw and introspective music video that captures the emotional depth of personal struggle, identity, and resilience through poetic lyricism and minimalist visuals. This official music video for “Story Of My Life” presents a deeply personal narrative from South African artist Lolo Vandal. Known for his emotionally charged delivery and cultural authenticity, Lolo uses this track to reflect on his journey; marked by hardship, growth, and self-discovery. The video’s stripped-down aesthetic allows the message to take control, emphasising vulnerability and truth.

Following my camera, staring at the monitor instead of at where I was placing my feet, didn't end well. Let's just say, you should never fall for a great shot!

This doc was such a joy to shoot—Fly High follows the passion and grit behind the world of disc dog competitions. I filmed it solo, across multiple states, which meant staying flexible, intuitive, and always ready to adapt on the move. It’s an earlier piece—not as polished as Atlas Falling—but it taught me a lot about storytelling, timing, and observing without interrupting. A real lesson in trust and instinct. Would love to hear your thoughts—and if you’ve done solo doc work, I’d love to swap stories.

Artemis is one of those narrative projects that reminded me why I love visual storytelling. It’s an earlier piece—not nearly as refined or ambitious as Atlas Falling—but it taught me a lot about holding space, emotional pacing, and knowing when to let the camera simply observe. Shot with a small crew and a minimal approach, this short leans into stillness, subtlety, and restraint. It’s intimate, quiet, and very human. Would love to hear your thoughts—and if you’re working on something in this spirit, let’s connect. Official Selection of the Wreak Havoc Horror Film Festival 2023

2025 COMMERCIAL SHOWREEL

2025 Narrative cinematography showreel

Intro to the official logo of the Spanish film production company Art Tales Productions from Spain