The Stage 32 Videos: Cgi

Proud to share this high-energy promotional video created by Null Station for Doroni Aerospace during their 2025 campaign. This CGI showcase demonstrates the cutting-edge eVTOL (Electric Vertical Take-Off and Landing) aircraft through dynamic 3D animation, highlighting the innovation in urban air mobility. Our team at Null Station handled the complete 3D animation pipeline - from modeling and texturing to lighting, rendering, and post-production - to bring Doroni's vision to life. The project challenged us to balance technical accuracy with cinematic storytelling, creating a compelling narrative that communicates the future of personal aviation. This piece showcases our studio's capabilities in commercial 3D animation for tech and aerospace clients. Always excited to collaborate with companies pushing the boundaries of innovation. Open to connecting with fellow animators, directors, and potential clients interested in high-quality CGI content for promotional campaigns.

Hi everyone. I co-directed this animation. We spent a full year in production to get this level of detail and released it last year. It was a massive effort for my team. I want to know if you think the visual quality justifies that kind of timeline. Let me know your thoughts.

Creation of a "warning" scene for the Guardians Origins footage, integration process. The 33-minute pilot is currently seeking funding for a series format; I'm happy with this project because it was done on a single computer. Animation and integration by me. Models by huykhoi2407

Some of my 3d commercial work.

Prod by Austin Jones Dragon Tamer - Scifi/Adventure/Romance Short Film 2025 #thirteen #ossyoneal #love #musicvideo #scifi #dragons #dungeonsanddragons #rnb #rnbsoul

Proud to share the CGI Breakdown for Kare, my latest independent short film. This isn’t just visual effects — it’s handcrafted storytelling. Every frame was built from scratch, using traditional 3D and compositing techniques across Cinema 4D, Foundry Nuke, After Effects, and DaVinci Resolve. No AI shortcuts. No templates. Just thousands of decisions, keyframes, and sleepless nights. Kare is a film where technology is not the hero — it’s merely the language I use to ask bigger questions about who we are, how we see the world, and how our perceptions trap us. The CGI elements in Kare are subtle, almost invisible at times, serving only to enhance the emotional and philosophical weight of the story. I’m sharing this breakdown because I believe in showing the real work behind the frames. If we don’t show how much craft and artistry goes into independent filmmaking, people might assume it’s just “AI magic.” It’s not. This is human-made. Frame by frame. Pixel by pixel. Vision by vision. Let me know your thoughts, and feel free to connect if you’re passionate about merging technology and storytelling.

I wrote a script and Animated and Created a Showreel which will Show my Skill sets Entirely

Quick look at some of the animation we've done.

Hey, Everyone. I just wanted to introduce myself here. I'm Brad J Hayes, a VFX artist and supervisor based in Chicago. However, I cover the entire Midwest. I wanted to post My On-Set reel for you all to see. This is work I have been a part of.

Long overdue new FX reel. I'd love to hear your thoughts or, if you're in Sydney, to grab a beverage. My shout!

Intergalactic taxi driver Sloane takes a fun-loving fare to a planet supposedly having the most epic party…only to find everyone drained of life! Since it’s the big Peace Day celebration back home, she finds herself in a race against time to save her friends...and the entire planet...from the evil party energy sucking scourge of the galaxy.