The Stage 32 Videos: Cinema

This Noir crime thriller short film was created using virtual production on a LED Wall using Unreal Engine 5. This film prove of concept film shows what a mix of virtual production and traditional storytelling can achieve when mixed together. Cinematography and Lighting: Peter Misztal - Cze Unreal Engine 5 Environment Design: Peter Misztal - Cze Available for projects in Europe, Poland & South Korea Contact: nawa.cze@gmail.com https://www.virtualproduction.pro/

Step into the world of Simona Ercole, an Italian tattoo artist known for her passion, precision, and creativity. This intimate short documentary captures a day in her life, revealing the artistry, dedication, and human connection behind every piece she inks. Directed and filmed as a personal project, this documentary reflects my love for storytelling and visual filmmaking.

Self-edited cinematography reel, showcasing footage from short films, music videos, and tv series pilots in which I performed as director of photography.

Footage is recovered of an amateur journalist and his friend film a documentary on the infamous "Upstate Strangler" after they learn he's back in town

The visuals presented where all created by William d'Anthony * I do not own the rights to the music.

The long-awaited fan made series begins August 1, 2021! Synopsis: Heirs of Justice follows a group of high school students who discover they are the second and third-generation descendants of the famed Justice League. This story takes place in a future where all metahuman life was killed in a galactic war by Lexcorp Industries.

A young couple stops at a gas station, but when one partner goes inside and returns, they're not the same-something is terribly off.

This doc was such a joy to shoot—Fly High follows the passion and grit behind the world of disc dog competitions. I filmed it solo, across multiple states, which meant staying flexible, intuitive, and always ready to adapt on the move. It’s an earlier piece—not as polished as Atlas Falling—but it taught me a lot about storytelling, timing, and observing without interrupting. A real lesson in trust and instinct. Would love to hear your thoughts—and if you’ve done solo doc work, I’d love to swap stories.

Artemis is one of those narrative projects that reminded me why I love visual storytelling. It’s an earlier piece—not nearly as refined or ambitious as Atlas Falling—but it taught me a lot about holding space, emotional pacing, and knowing when to let the camera simply observe. Shot with a small crew and a minimal approach, this short leans into stillness, subtlety, and restraint. It’s intimate, quiet, and very human. Would love to hear your thoughts—and if you’re working on something in this spirit, let’s connect. Official Selection of the Wreak Havoc Horror Film Festival 2023

Hey folks! Just wrapped up my latest reel and wanted to share what I’ve been working on. It’s a mix of narrative, doc, and branded work—pulled from some really meaningful collaborations over the past year. I’m always aiming for images that feel honest and emotionally driven. Whether it’s natural light or stylized setups, it’s all about supporting the story and characters. If you’re into this kind of work—or you’re building something cool and need a DP—I’d love to connect. Appreciate you watching!

Bhutan - The Last Shangri-La | Travel Film Shangri-La is a fictional paradise described in James Hilton's novel Lost Horizon - a mystical, harmonious valley hidden in the mountains, untouched by time. I can't think of a better way to describe Bhutan.

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