A reflection for the Stage 32 Producing Lounge
For years, queer female stories were pushed to the margins, often tragic, often coded, often treated as “risky.” But the landscape has shifted, and the data is finally catching up to what audiences have been asking for all along: queer joy sells. Queer love travels. Queer stories build global fandoms.
A clear signal from the market
The success of Heated Rivalry on HBO and the incredible Stage 32 webcast that broke down its production strategy show that audiences are not only ready for queer narratives; they are actively seeking them. Engagement numbers, social traction, and international reach all point in the same direction: queer romance is commercially viable, emotionally resonant, and culturally urgent.
And now Bridgerton Season 5 is stepping into that space with force. Netflix is placing a female queer romance at the center of one of its most valuable global franchises. Not as a subplot. Not as a “representation moment.” But as the season’s primary love story.
Netflix Tudum link: https://www.netflix.com/tudum/articles/bridgerton-season-5-news-photos-p...
A personal indicator of this shift
This evolution isn’t only happening at the studio and streamer level; it’s happening in the independent space too.
My short script Soul Mated, a female‑queer romantic drama, was recently nominated for a festival award. The short serves as a prequel to my feature screenplay of the same title, a project anchored in a central thematic question:
What does Consent truly mean inside a love relationship?
The nomination wasn’t just a personal milestone. It was a market signal:
Gatekeepers, programmers, and audiences are responding to queer female stories that center emotional truth, agency, and love, not tragedy.
Producers who want to explore this space can read the loglines for both the short and the feature on my Stage 32 profile.
A producing question worth asking
As Heated Rivalry, Bridgerton, and emerging indie voices gain momentum, the industry is clearly moving toward a new era of queer storytelling.
Two questions for producers become:
- Which queer love stories are you ready to champion, and how can you position them to meet this rising global demand?
- Are you already producing in this space?
2 people like this
Mark Furney Bravo, Mark! Keep up the Stellar Work!
2 people like this
Areale Hanks Good questions, Areale. I’ve been a member of Film Freeway for years, which posts all national and international film festivals / screenplay competitions on its website. I’ve written 8 fe...
Expand commentAreale Hanks Good questions, Areale. I’ve been a member of Film Freeway for years, which posts all national and international film festivals / screenplay competitions on its website. I’ve written 8 feature screenplays so if one looks like a perfect fit, I’ll submit. I’m retired from my career, so there’s no real desire for me to “make it” in screenwriting. The goal for me now is to sell a script, then hopefully have it produced. Early in my screenwriting journey, I wore the 4 hats (writer, director, producer, and actor) in my first two projects— a feature called, PARTY OF 50, and a short called, I’LL HAVE ANOTHER…” In terms of passion, I was a high school English teacher for 33 years, and one of my favorite lessons I created was “Intro to Screenwriting.” I taught formatting, screenplay terms, loglines, etc. I then placed kids into “Writers Room” groups. Once I filled their heads with the necessary knowledge, the task was to create an original scene, then act it out for fellow classmates. In preparation, I also included scenes from famous movies, asking them to focus on setting, conflicts, goals, resolution, and acting. This was always a fun lesson to teach. Most of the kids presented some amazing ideas!
3 people like this
Ashley Renée Smith I received a script request from a Stage 32 pitch - and THAT felt like a big success. Where it goes...nobody knows. It's inspiring to read how many people have so many amazing succe...
Expand commentAshley Renée Smith I received a script request from a Stage 32 pitch - and THAT felt like a big success. Where it goes...nobody knows. It's inspiring to read how many people have so many amazing successes!
2 people like this
For me, it's stacking the wins, little and big. Writing every day, even if it's for 10 minutes. Getting a script request. Coming up with a great logline. Meeting with my writers group. Every day is a win, no matter how small, as long as you're advancing towards your goals.
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Way at the bottom. That just means there's a pile of comments above this one Don’t read into it .
Success is:
- waking up in the morning
- getting out of bed
- writing each day
- having one episode finis...
Expand commentWay at the bottom. That just means there's a pile of comments above this one Don’t read into it .
Success is:
- waking up in the morning
- getting out of bed
- writing each day
- having one episode finished every week for Podcast Thursday
- getting the completed episode uploaded to Podcast Thursday so anybody can hear the script.
I've got:
- a broken computer
- an old phone with a black splotch on the middle of the screen
- a Social Security paycheck that only lasts half a month since Trump pulled the Disability portion of it from all seniors.
- type I insulin dependent diabetes
- inability to afford to live anywhere in expensive America...economic exile
- consequent inability to keep up with goings-on and trends since Netflix more than doubled the price for Americans living abroad than what it had been when Biden was President.
- horrific sleep apnea
- ADML (attention deficit memory lost)
- none of my contacts wanting to help me through my hard times
- autism
FOR ME THE FACT THAT I'M STATING ALIVE, WRITING AND HAVING AN ELISODE COMPLETED AND PODCASTED EVERY WEEK IS NOT JUST A SUCCESS. IT IS A HUGE WIN FOR ME. I AIN'T NO SCRUB. AND WHEN YOU CHECK MY SCRIPT OUT YOU'LL SEE THAT NEITHER IS MY SHOW.