Hello Stage 32 community,
I’m Catherine James, an entertainment and business attorney and the founder of Catherine James Esquire, a boutique law firm dedicated to creatives, influences, models, gamers, and entertainment businesses.
Formerly known as Cre8ors Power Legal Services, my practice has evolved into a more personal, attorney-led model where clients work directly with me to build, protect, and, when necessary, defend their work.
I represent writers, directors, producers, actors, musicians, podcasters, digital creators, and production companies across the entertainment industry.
My work spans business formation and strategy, contract drafting and negotiation, rights and IP issues, and day-to-day business management for creative enterprises.
In addition to transactional and advisory work, I handle entertainment litigation—including contract disputes, infringement matters, royalty and participation issues, and other conflicts that arise around creative projects.
My goal is to provide practical, clear, and business-minded guidance so you can focus on creating while knowing your legal and business foundations are solid. I take a collaborative, relationship-driven approach:
I want to understand your vision, your risk tolerance, and your long-term goals so we can make smart decisions together.
I’m here on Stage 32 to connect, collaborate, and be a resource.
If you’re developing a project, navigating a deal, facing a potential dispute, or simply want to better understand the legal side of your creative career, I’d be happy to connect and continue the conversation.
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What are some of the titles of your books?
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How did the pitch go?
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As my first pitch, I was nervous, and I made a classic rookie mistake — I pitched it like an author selling his book. What I learned is that producers don't want a blow-by-blow of the story, even the...
Expand commentAs my first pitch, I was nervous, and I made a classic rookie mistake — I pitched it like an author selling his book. What I learned is that producers don't want a blow-by-blow of the story, even the good parts. They want to know who the protagonist is and what his/her goal is. That's it in a nutshell. Think of it as a long logline. That approach gives the producer a chance to ask questions, rather than you telling him/her what you think they need to know.
In my case, I set up the premise well enough — seven survivors stranded on an alien planet with two weeks of food and water and no way home for potentially decades. But instead of pivoting to the protagonist and his goal, I kept driving deeper into the plot. What I should have said next was simply that the story follows a reluctant leader who uses his wilderness survival skills to pull the group together and build something permanent — not just survival, but a real community — while a serendipitous bond between one crewman and an intelligent predator species changes everything.
If I had framed it that way and stopped there, I think I'd have gotten a request. Lesson learned for the next one.
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I have two published available from Amazon and Barnes and Nobel. e-books on Amazon, hard and soft cover and audible editions, Survive! Marooned on Planet Tau Ceti g, and Survive! First Alien Contact....
Expand commentI have two published available from Amazon and Barnes and Nobel. e-books on Amazon, hard and soft cover and audible editions, Survive! Marooned on Planet Tau Ceti g, and Survive! First Alien Contact. The third in the series, Survive! Galactic War, is in professional editorial development. Thanks for asking!
Hi Charles, welcome to Stage 32! I’m Ashley, Head of Community here on the platform. Thank you for introducing yourself and for coming back to update everyone on how your first pitch experience was. T...
Expand commentHi Charles, welcome to Stage 32! I’m Ashley, Head of Community here on the platform. Thank you for introducing yourself and for coming back to update everyone on how your first pitch experience was. This is a great example of progress in real time.
I’d definitely recommend reaching out to our Success Team at Success@Stage32.com and sharing both your pitch experience and what you learned here. They can help guide you toward additional pitch opportunities, feedback, and resources that align with your goals and help you refine that approach even further.
Since you’re working across both novels and scripts, I’d also encourage you to stay active in the Authoring & Playwriting Lounge (https://www.stage32.com/lounge/playwriting) and the Producing Lounge (https://www.stage32.com/lounge/producing). There are great conversations happening around adaptation, pitching, and positioning IP that I think you’d really benefit from, and contribute to as well.
Really appreciate you sharing this, Charles. This is exactly how you level up quickly.